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Why I want to teach

I want to be a professor.

The journey that has led me to declare that now without the caveat–”You know, sometime down the road”–has been a crazy one. But now it seems most true and beautiful.

Nate and I do this thing. He sits outside on our back patio, smoking a cigarette, while I sit on our bed just inside the slightly-opened door. And we talk. We have our best conversations this way. We talk about life, sometimes, and cosmology, psychology, and theology. One night last week we talked about the Bible, and how people have come to simplify everything. We talked about divorce. Instead of trying to understand the culture of Jesus’ audience when he said do not get a divorce, some Christians have taken these words to mean “No, not ever.”

(Very shortly: There were a crazy amount of divorces happening during the Second Temple period, because it was so easy for Jewish men to divorce their wives. Thus, there were many woman stranded with no means of income. So they would have to beg, prostitute themselves, or something similar. So of course Jesus would say this. And I’m sure, too, He meant: take marriage seriously. Don’t be a dick. Don’t screw people over.)

What’s most frustrating about this simpleton’s reading of the Bible is that it’s taught. Churches, moms, and dads don’t teach their kids to think, to ask questions, to wonder about why this or that happened in the Bible. Instead, they’re taught that the Bible is infallible. So anything that sounds weird, well, you’ve just gotta trust the Lord! (As one of my counseling professors duly noted: I seem to have some bitterness toward Christianity.)

Anyway, this conversation led me to my rally cry: THAT IS WHY I NEED TO TEACH!

I said to Nate, “I don’t know what I would have done if it weren’t for some college professors who taught me how to think! I’m not sure I’d be here now [in Seattle, at a 'progressive' seminary].” Read into that what you will.

And then I said to Nate, rather impressively, “That’s why I want to teach fiction, too. I think it teaches us how to ask questions.”

By this point, I’m on a roll.

“I think characters ask questions that I didn’t think to ask. Or, characters ask the questions I’m too afraid to ask!”

Then I said what seemed to be a non-sequitur: “Asher Lev!”

That is to say, that Jewish boy asked questions of the interplay of the sacred and the secular, something I had been toying with for a few years. My Name is Asher Lev helped me wrestle with that again and even come to some conclusions (or at least “talk it out”).

Fiction is a powerful, powerful gift. I know it’s hard to prove media effects–if I learned anything in my college mass comm class–but I’m pretty convinced that good literature can shape theology. (At least, my theology.)

And that is why I want to teach.

About Lauren Sawyer

I am a student of theology and culture in Seattle, Washington. I love coffee, rainy days, and John Updike. Learn more about me at laurendeidra.com.

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Where does art come from?

I told Lauren that I wouldn’t post anything here until I finished a paper that I’m writing, but apparently I lied.  Oops.

I’m working up a paper about how faith communities learn to discern together.  Though the conference I’m submitting this for is a theological conference, I want to approach that subject through story.  Specifically, though Chaim Potok’s Asher Lev stories, which have totally captured my imagination in recent months.  In order to get some background help, I’ve been reading interviews with Potok, especially from a collection published as Conversations with Chaim Potok (University Press of Mississippi, 2000).

One of the major themes of My Name Is Asher Lev, and to some extent the second book, The Gift of Asher Lev, is about where artistic inspiration comes from.  Set in a Hasidic Jewish community, these novels wrestle with painting as art, but more deeply with calling.  Young Asher Lev is a brilliant artist, but his parents and his community have a difficult time deciding the source of Asher’s gift.  Is it from the Master of the Universe, or from the dark side?  Potok does not make that answer clear; he wants the reader to wrestle with that question even as Asher is a lovable hero.

In response to an interviewer’s question, “Is the artistic temperament from the sitra achra, the ‘other side’”?, Chaim Potok responded,

Yes, that is a fundamental question, and the first Asher Lev book [My Name is Asher Lev, 1972] deals with that. I think that art is from the “other side” but given to us to use with wisdom, beneficently, so that we can judge “this side.”  There is nothing in the world that is as powerful an instrumentality as art; we can bring it to bear on the foolishness, the mendacity, the hypocrisy, and the hunger we have to create meaning in ourselves.  So the artist has an enormous responsibility. I would agree with Asher Lev that  he has the responsibility to do the best that he can within the realm of the “other side” in order to make “this side” a better place in which to live. But you’ve got to plumb the “other side”.

- from Conversations with Potok, 168-9.  This is from “A Visit with Chaim Potok” by David L. Vanderwerken in 2000.

Potok is a writer (and also a painter), and in this response he gives us a challenge.  How can we as writers and readers of literature and theologians bring that art to bear on our world?  How can it help us to find and create meaning?

I am thrilled that this site allows us to ask this question, and I suspect that we will be dancing with this question for a long time ahead.

About Pat Loughery

I'm a software project manager and qa specialist by trade. I also hold a doctor of ministry degree and teach courses in Christian spirituality, both face-to-face and though e-learning systems. My doctoral dissertation looked at Christian spirituality in social networks. And I love to read.